| Vivien
Bittencourt |
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The Villa Doria Pamphili photographs present an example of Bittencourt’s
dialogue with nature, particularly how nature is envisioned and
experienced in a contemporary urban environment. The expansive
Villa Doria Pamphili park on Rome’s Gianicolo hill is comparable
in size to New York’s Central Park, and it is much used and
beloved by the surrounding community. Yet these photographs maintain
an almost total exclusion of human figures — we feel we are walking through a place that has the power of
a sacred grove. In Bittencourt’s photographs, taken in different
seasons and at different times of day, we sense the motion of the trees,
be it a subtle movement caused by a breeze, or the more rarefied movement
of the trees through years and decades |
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